Molon develops a fascination for special effects at a young age when he discovers Star Wars. He’s truly self-taught. By studying specialized magazines and documentaries, he gradually learns the business. He travels to Hollywood and starts working with masters such as Stan Winston and studio XFX. Back in France he collaborates on Vidocq, Arsène Lupin and Amélie Poulain. Together with Pierre-Olivier Thévenin, who by that time already collaborated on the specials effects of Innocent Blood and Jurassic Park, he’s responsible for the make up of From Inside. Humains is the first time they both stand behind the camera.
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