In the abundance of American, English, Russian or Italian movies, you should almost forget that there are also good movies from Asia and the Middle East. Their past, literature and legends offer interesting stories for screenplays. Director Farmanara, who lives in Canada for the moment, describes the life, the morals and the superstition of a small isolated village that little by little gives in to the terror they created themselves. In a film that takes a stand against the occult, the battle is shown of man against his false idols, religious fetishes, specters and metaphors of power that are locked in our brain and eventually dominate us.

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